The Bottomless Pit:

The bottomless pit is the centre of any sphere.  Any sphere in which you are at the centre of, everywhere else is up; Hence it is without bottom.

(Revelations 9)

1 And the fifth angel sounded his trumpet, and I saw a star which had fallen from heaven to earth; and he was given the key of the shaft of the bottomless pit. 2 He opened the bottomless pit, and smoke went up from the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke from the pit. 3 Then out of the smoke came locusts on the earth, and they were given power like the power of scorpions of the earth.

 The Earth, all planets, the sun, the moon, the stars are all spheres.


[End.]

White Horse - Black Bull

The White Horse and White Rider

The Black Bull and Black Whore

One is the anti-pode of the other.



The White Horse and White Rider

Uffington, UK

Osmington, near Weymouth (UK)

Tjängvide image stone (of Odin riding Sleipnir)

The Black Bull and Black Whore:

'Europa' riding 'the bull'. Brussels, Belgium.



Strasbourg, France.

These are two opposites, one is a mirror of the other:
The anti-pode of white is black.
The anti-pode of man is woman.
The anti-pode of horse is bull.
The anti-pode of restrained is wild.

The upper is the upper part of the tree of life.  The lower is the lower part of the tree of life.  The white tree has it's opposite in the black root ball.

The European Union embraces the symbols of the black bitch (aka the Whore of Babylon), thus it is in contrast to the White Horse (of Odin, man, Christ when he returns).

[End.]

Music and Body Movements:

People listening to different musical styles (e.g. beat-heavy music versus atonal music) often exhibit different body movements.

Dance that is felt (i.e. is done instinctively) and not contrived (i.e. acted out consciously) is the purest form of dance to watch, because the music is being felt by the human and expressed without any inhibitions or desires to modify it.  A contrived form of dance would be someone standing in a dance club performing the 'big fish, little fish, cardboard box' routine.

Some of the more easily indentifiable body movements are made up of the head, body and appendages.

- They occur in one of three directions: up and down, side to side, back and forth.

- They can be either fluid (an even speed), or jarred (a contrast of a fast movement with an accompanying slow movement).

- They can be either patterned/rhythmic or chaotic.

- They can either be linear (and travel along an axis) or rotational (and rotate around an axis).

Rock Music:

e.g. Rage Against the Machine,

- Head movements: 'Head Banging' is common place.  The head jars in one direction quickly then moves back into starting position slowly.

- Body movements: the movements of the body coincide with the beats of the music and because rock music is tonal and not atonal, there is a lot of jarred body movements.  Principly the movements are back and forward, and not side-to-side or rotational.

- Appendage movements: the arms and legs do not seem to be used very much or if they are used it is in sharp jabs typically pointing upwards or forwards, not side to side.

Indy Music:

e.g. Coldplay.

- Head movements: often the head lolls gently side to side.  No sudden movements or forward motion.  Perhaps a slight 'figure of eight' pattern side to side.

- Body movements: the same as the head movements.

- Appendage movements: the same as the body and head movements.  Often the appendages are used to embrace a fellow listener.

Dance Music:

e.g. Darude.

- Head movements: Because of the atonal nature of the music, there's more rhythemic movement and pattern along all three axes, and rotational movements as well.

- Body movements: Similar to the head.  The hips and shoulders are more likely to move as independent organs, which is unlike Rock music when the hips and shoulders would move in unison.

- Appendage movements: Because the hips and shoulders move independently, so to do the arms and legs move independently and with greater 'freedom' than tonal/beat-heavy Rock or Indy music.

(All music is like a drug.  Tt has an effect on the psyche which becomes manifest in the actions of the body and the thoughts/character of the person.  Treat music more like a drug than as a form of entertainment.)

[End.]

Male and Female Muscle Pairings:

Laterals [Male], Pectorals (female)

- laterals are squarer and flatter and on the back of the body (thus more male), pectorals are rounder and thicker and on the front of the body (thus more female).

Triceps [Male], Biceps (female)

- Triceps are longer and thinner and on the back of the body (thus more male), biceps are shorter and rouner and on the front of the body (thus more female).

[End.]

Les Dawson and Krusty the Clown:

They both (the latter in a cartoon sense) are the stereotype of what happens to a comedian who becomes fatigued, tired by doing the same thing time after time i.e. they are trapped inside of a set of rules (their own mindset/way of life), laws, customs etc that dictate their every thought and action.  Any lifestyle that becomes stifling becomes disliked by the person who it is imposed on, and eventually that person becomes a Schizoid: someone who is mentally detached from the world.

[End.]

Was Maize First Dependent on Forest Fires ror Releasing it's Seeds?:

I saw a programme on television recently (Survival: Nature, Indestructible Creatures BBC4 3/3 12/02/2013) which showed that certain seed pods required a lot of heat to open them up and expose the seeds to the wind.  Is this the method that Maize used before beomcing domesticated?

[End.]

Irreducible Complexity:

Each new stage of growth requires a minimum number of components, this means that different components must come into being simultaneously in order for the new thing to function.  For instance, the steam engine (circa 1800s) required a number of other components in order for it to be created.  Thus new things are contingent on a number of other things existing for it to function.

[End.]